Tuesday, 30 August 2011

Slow (Extended Mix)


"You know what I'm saying
And I haven't said a thing
Keep the record playing..."

Bursting out of my speakers on this mercifully sunny afternoon, Kylie Minogue's 'Slow' sounds every bit as seductive and extreme as it did on its release date eight years ago this November. A peerless pop production then and now, 'Slow' was masterminded by engineer Dan Carey (The Kills, Hot Chip), Icelandic singer Emiliana Torrini and, of course, the former Ms Charlene Mitchell herself.

As with lots of the landmark pop tracks I blog about, I can remember the first time I heard it - after hours in the basement of the record shop where I worked, the extended mix played off a white label. It wound its way around me, gave me no choice. It's one of those records that draws the listener in with what it leaves out. A real statement.

Tricky to pull off live (in my view), 'Slow' is all about the studio. It's a lesson in stealth and minimalism: the dryest of dry rhythm tracks, the merest hint of a synth riff, that four-note bassline - simplicity itself. Then there's Kylie, of course, all close-miked and conspiratorial, murmuring something rather promising about her 'body language'.

It's testament to the quality of the production that Michael Mayer, co-owner of Cologne's famed techno label Kompakt, was moved to cover 'Slow' in 2005. But even he could not compete with the purity of the original. His version didn't really work. Why?

Because Kylie wasn't on it.

'Slow', for me, belongs at the centre of an imagined 'Venn Diagram of Ace Pop': the place where the experiments and extremities of the underground collide with the lavish sex appeal, star quality and accessibility of the mainstream. It's one of my favourite places to spend time. Click here, here or here for more details.

Baillie Walsh, director of the 'Slow' video, contributed further to the atmosphere of the track with his highly stylised aerially shot film of poolside bathers shifting on their towels in mellifluous synchrony. Kylie's right where she should be, working it at the centre, 'best dress on' (just).




Wednesday, 17 August 2011

Saturday 27th August - The Deaf Institute

POP! IN THE NAME OF LOVE

August Bank Holiday's Pop 'Til You Drop sees Danielle Moore (Crazy P) and Abigail Ward (Fist of Pop) return to the Music Hall for another night of classy pop decadence under the mirror ball, whilst downstairs Pasta Paul serves up a fresh pan of al dente indie and future pop, washed down with cheap Absolut cocktails.

Firm, but not hard.

28 August 2011
10pm-3am
The Deaf Institute
135 Grosvenor Street
Manchester, United Kingdom

£5.00 in::: 10pm - 3am ::: all three floors

Tuesday, 16 August 2011

Slow Pop for Sultry Nights - A Mix


I really enjoyed playing the bar at Pop 'Til You Drop last Saturday. It was great to dig through all my slow jams and extended mixes. Here's a little blend of some of the stuff I chose.

For Steven, forever in his dressing gown...



Listen above or download here.

01. The Korgis - Everbody's Got To Learn Sometimes (Instrumental)
02. Yello - Of Course I'm Lying
03. Dusty Springfield - Nothing Has Been Proved (Dance Mix)
04. Sade - No Ordinary Love (Full Length Version)
05. The Eagles - I Can't Tell You Why
06. The Mythical Beasts - Communicate
07. Maxwell - Everwanting: To Want You To Want
08. Rossoulano - Friends In Lo PLaces
09. Lalomie Washburn - Try My Love
10. Kylie Minogue - Confide In Me
11. Feist - One Evening
12. Bryan Ferry - Which Way To Turn
13. The Flaming Lips - Sleeping On The Roof
14. Marvin Gaye - Sexual Healing (Alternate 12" Instrumental)